Lena Corazon

Flights of Fancy

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Things I Love Tuesday: My First Story

Welcome to Things I Love Tuesday, my weekly post where I get to showcase the things that tickle my fancy.

One of my favorite things about visiting my parents is the chance to dig up treasures from my youth.  I know, I know — I’m only 24 years old, so we’re not talking a huge span of time.  Still, I am inclined towards nostalgia and I have a tendency to save things (though nothing on the level of Hoarders folks), which means that when I dig through the storage bins in the garage, there’s always a chance of uncovering something precious but forgotten.

I’ve saved the normal sorts of things, like old report cards, essays that received high marks, awards from elementary school, but what I really treasure are the books that I’ve kept, especially the ones from when I first learning how to read.

Today’s find: my copy of Dr. Seuss’s Green Eggs and Ham, a present for my 5th birthday.  What makes these books extra special, however, is that it’s also where I wrote my first story.

The front page has an inscription from my mom, written in red crayon.  It still smile whenever I read it, because it brings back memories of the day she wrote it for me.

"Jamila will have a birthday soon! She will be 5 years old. Jamila will go to an ice show with her mom and dad."

My mom taught me how to read and write before I got to kindergarten.  I’m her first-born, and she thought that I would need the skills when I started school.  For the record, I ended up incredibly over-prepared.

The reading bit was an accident; she read to me every day, and eventually I started reading back to her.  Once I mastered that, she taught me letters, words, and sentences.  When I had those building blocks in hand, there was no stopping me.  I wanted to make stories of my own.

Granted, they’re a little silly, disjointed, and short, like the above: “I am Jamila on a big cat.”  Still, I tried for a little complexity:

One thing I had down by this point, quite clearly, is my name.  One thing I didn’t have down, and that was the whole “books go from left to right” business.

On the right, we have the start of the story: “Jamila story book by Jamila Jamison Sinlao.” (No grasp of possessive nouns, either.)  As it continues,

the story. [I am] 4 and I will be 5 next year and my TV…

The fox ate the rabbit and the lamb.

the end of the story

What I really love?  The fact that my mom wrote out, “The end of the story” so I could copy it down myself.  Gotta love parents who encourage their children’s endeavors.

Really, what we have here are my first attempts at flash fiction. :p  But what I also think it shows is that for me, my love of reading and writing fiction sprang up together.

When did you start writing fiction?  Was it an early hobby, or something that you adopted later?  Any fun stories about your first stories?

Seven Virtues Flash Fiction: Patience

It’s time for another round of flash fiction!  This time, the inspiration comes from the fifth of the Seven Virtues, Patience.

Today’s offering is a sliver taken from one of my WIPs, Strange Bedfellows.  Check it out, leave feedback if you’re so inclined, and don’t forget to visit the other participants in the Seven Virtues challenge, #7Virtues on Twitter.

-oOo-

“Worth Waiting For”

Dinner was an interminable affair.  Alaia was lingering deliberately, Lucius knew, an attempt to tease and taunt him.  She had played such games before, but this time he endured with quiet equanimity.  Instead, he listened to their guest’s stories with feigned sincerity, supped quietly and sipped his wine. It was sweet torture every time he met Alaia’s eye, delicious agony whenever she favored him with a smile, secret and teasing.  Promises lurked in the depths of her eyes, but he forced himself to turn away.  He would have his revenge later, and it would be worth waiting for.

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ROW80: Lady Criminals of 19th century San Francisco

Wow, we’re one month into ROW80! I don’t quite know where time goes.  I feel like summer just started, but now every time I turn on the television I’m seeing “Back to School” advertisements. *shudder*  Thankfully, UC Santa Barbara is on the quarter system, which means that I don’t have to go back until the end of September.  Till then, I’ll be at my parents’ house, relaxing, catching up with friends, writing, and finishing the 1st draft of my thesis.  I miss little things about Santa Barbara — my desk, sunshiney deck, and the beach especially — but it’s always nice to be back home with the family.

My progress update is short and sweet for today.  Given that I’m using 750words, I apparently need to bump up my daily writing goal to 750.  I’ve exceeded that over the past few days, adding about 2000 words to tell me no lies since the last check-in. At the moment, the MS is about 8000 words long, which isn’t bad for one week’s work. I need to clean some things up and start knitting scenes together (I’m writing in a bit of a hodgepodge fashion at the moment, jotting down conversations and scenes as they come to me, but an outline is going to be necessary to wrangle all my subplots into order), so that’s the goal for the coming week.

I’ve been slacking off a bit as far as Life List Club goals are concerned, chiefly when it comes to exercising, so I’m placing that at the top of my priority list this week.  And once I finish grading final exams and essays, I’ll be returning to the thesis.

-oOo-

Anyway, with that out of the way, I turn to the fun stuff: lady criminals from 19th century San Francisco. I ran across a few mugshots by accident, scanning through archives for photographs of SFPD uniforms from the 1880s.  These come from the Jesse Brown Cook archives, held by UC Berkeley’s Bancroft Library.  Cook was a member of the SFPD from the 1890s to the 1930s, starting off as a beat cop and ending his career as Chief of Police.  Only a few volumes of the vast collection of photographs, newspaper clippings, and other miscellany are online, but they are absolutely fascinating to browse.

Source: Jesse Cook Archives, Bancroft Library

Mabel Keating is one woman who I ran across in my research. The archives describe her as “a clever pickpocket of this city,” and tell us that she “roamed on Grant Avenue and her prey were men from the Palace and other Hotels, as she was sure that they would not dare to prosecute.”  The Cook archive states that she left San Francisco for Chicago (presumably to attempt the same trade) in 1895, though not before being convicted for grand larceny in California.

Source: Jesse Cook Scrapbooks, Bancroft Library

Likewise, Hannah Landridge (apparently known as “Fat Annie”), also hung around the hotel district and robbed unsuspecting men.  She was arrested in 1896 for allegedly stealing $300 from a farmer, Felix Busch, convicted of grand larceny, and spent two years in San Quentin prison.  According to this article from the San Francisco Call, there was a great deal of controversy that surrounded Landridge’s case — chiefly, that the money she had stolen had disappeared.  Rumors indicated that at least one police officer was involved, leading to the suspension of one, Patrolman Rourke, who was accused of “embracery” (the attempt to corruptly influence a juror, apparently).  When interviewed, Rourke indicated that he had “friendly feelings” for Landridge, as she had proved to be a valuable witness in a criminal investigation a few years previous.

Finally, I wanted to include a picture of the so-called “Chinatown Squad,” who are near and dear to my heart.  Due to the level of crime and corruption in San Francisco’s Chinatown, the Chinatown Squad was created in 1879.  The squad was made up of plainclothes officers who were armed with pickaxes and sledgehammers (!) so that they could get into gambling dens and other centers of illegitimate activities. If my protagonist’s love interest, Adam Davenport, the detective in tell me no lies charged with investigating crimes around the Barbary Coast district, was a real person, he would have been part of the Squad.

Source: Online Archive of California

Above is a picture of the Chinatown Squad circa 1898.  The Chinese man in the middle is the Squad’s interpreter, Dong Tying.  Oh, and in case you were wondering, that’s an opium pipe laid out on the floor (evidence, presumably).  The men are also armed with their trademark axes and sledgehammers, and while they look rather fierce, I have to admit that their facial hair makes me giggle.  Such thick moustaches!

Anyway, that’s just a few of the nuggets that I’ve picked up over the past couple of weeks.  I raise my glass to the rest of my ROW80’ers, and encourage all of you to bloghop about and offer words of support as well.

Love, Romance, and… The Odyssey?

Long as the day in the summer time
Deep as the wine dark sea
I’ll keep your heart with mine.
Till you come to me

– Loreena McKennitt, “Penelope’s Song”

I’ve had romance and myth on the brain for the past few days, the former because I’ve been busy devouring regency romance novels, and the latter because I’ve been watching documentaries about Joseph Campbell and the hero’s journey. This morning’s Twitter feed also encouraged me along, providing me with Amalia Dillin’s post on why Heracles isn’t her favorite, and Terrell Mims’ excellent discussions on myth and legend.

Greek Romance Sketches, by Kate Beaton

Somewhere in the bubbling cauldron that is my brain, romance and myth merged together, and I started thinking about my favorite love stories from Greek and Roman mythology.  The ancients are a passionate bunch; hatred and death tango side-by-side with love and romance.  As a child, I found that classical mythology challenged my notion of happily-ever-after, honed and sharpened from too many Disney films (I was actually slightly horrified after I watched Disney’s Hercules and then read the *real* myth. So much death!).  After a while, however, I came to appreciate this world where gods meddled and interfered (see: every myth ever written), and mortals were driven by their base instincts and egos.

All of this leads me to Homer’s Odyssey, one of my favorite epic poems.  Unlike poor Echo and Narcissus above, Odysseus and his wife Penelope do experience a happy ending. The storyline is simple: Odysseus has spent 20 years trying to return to his home in Ithaka after the end of the Trojan War.  Along the way he manages to offend both gods and mortals (including Poseidon, who is enraged at the way Odysseus taunts and provokes the Cyclops), but through his wily intelligence, and the guidance of “grey-eyed Athena,” he manages to finally return home.  There he discovers that his home has been overrun by 108 (!) men attempting to win Penelope’s hand in marriage, as they believe him to be dead. Odysseus and his son, Telemachus, slay the suitors, and finally, the wandering warrior can be reunited with his wife.

It’s the reunion that makes my poor little heart stutter and my eyes mist up. Penelope is shrewd, and she challenges Odysseus to prove his identity.  In response he describes how he built their marriage bed with his own hands, fashioning it around an ancient olive tree:

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SheWrites Blogger Ball #5

Extending a warm welcome to anyone visiting my blog from SheWrites Blogger Ball!  I’m new to the world of blogging (so be a bit gentle), and I’m still trying to figure out exactly what I want to chat about here at Flights of Fancy.  At the moment, you’ll find updates for ROW80 (A Round of Words in 80 Days), a writing challenge and community that I’m participating in, as well as discussions about writing and my various works-in-progress.  I’m thinking about branching out and posting more often, maybe about topics like world-building, character development, and historical research, but we’ll see how things go.

Looking forward to getting to know all of you!

Welcome to the SheWrites Blogger Ball!

Linkspam Mondays Commence!

I’ve been kicking around the idea of blogging more often than the usual Sunday/Wednesday ROW80 check-ins.  I have a rather ambitious idea for daily themed blog posts, but given my very, very short attention span and notorious inability to follow-through on my most inspired and brilliant plans, it might all fall through.  But for the moment, I dub Mondays ‘Linkspam Mondays,’ where I share interesting articles and other sparkly bits gleaned from the interwebs.  Think of me as a particularly industrious spider, hoarding glittering gems of internet goodness, for your weekly enjoyment.  😀

So what’s on the list for today?

Edwardian interiors, from the wonderful Edwardian Promenade

Edwardian Promenade, a source for all things related to the Edwardian Era, posted a useful and interesting look at the period’s interior design.  One of the details that I find particularly interesting is how the decline in domestic labor (servants, particularly those working with a family for life) contributed to the need for ‘time-saving’ technologies, particularly because it ties in with patterns that I’ve noticed in etiquette books from the 1920s.  Writers like Emily Post highlighted the “servant problem,” and proposed potential solutions for to make the lives of servant-less women easier.

“The First Cyborg Horror Story,” from io9

I saw this on my twitter feed this morning and about died.  I’m in the midst of trying to brainstorm technology and gadgetry for my steampunk tale, tell me no lies, so seeing this English ballad about a man with a mechanical arm (published in the 1830s, no less) is really fascinating to check out.  The author’s discussion of 19th century fears and preoccupations with the impact of technology is thought-provoking as well.

Improving Creativity: The Connect Brainset,” from Livia Blackburne

A look at the brain and how we can improve our creativity, which is useful not only for working on fiction, but any other endeavors that require a bendy, elastic sort of mind and the ability to engage in problem-solving (I’ve found that academic research is actually an incredibly creative endeavor, and requires many of the same skills as fiction-writing). The other 2 installments in Livia’s series on the creative mind are also really useful to check out: the Absorb and Envision mindsets.

“Writing the Killing: Managing the Threads with Scrivener,” from David Hewson

I LOVE Scrivener so very, very much.  In fact, I think it helped to rescue me from getting muddled in length word documents, and has made me a much better writer, both for fiction and my academic work (I’ve blogged about using Scrivener for academic writing here).  Anyway, author David Hewson blogged today about how he uses Scrivener to manage the different storylines in his novels.  He includes some excellent tips that I will have to utilize, especially as my WIPs grow more complex.

Daily Progress Update: Brainstorming and Character Sketches

I cheated a bit on my Thursday to-do list and got a little carried away with brainstorming and character sketches.  I gave myself a limit of 45 minutes; I ended up working for 2.5 hours, but oh man, I just couldn’t help myself.

As I’ve mentioned before, Path to the Peacock Throne has been in a bit of a muddled spot — I encountered a rather tricksy patch during a really pivotal scene that is necessary for revealing a number of truths and moving the action forward, and I haven’t quite known what to do with it.  To top it off, Liandre, my main character, hasn’t been cooperating at all.  Upon rereading the first few chapters, I’ve found her rather flat and two-dimensional, prone to such cliched actions like crying in every scene (seriously, I think it occurs in roughly 4 or 5 scenes in a row), and altogether cardboard-like and frustrating.

I’m perhaps being a bit too hard on her (and on myself), but the bottom line is that I’m going to have to do some serious overhauling… but only once this first draft is finished. Until then, I’m moving forward, though with the intent of digging deeper into Liandre’s personality, character, and motivations.

I stumbled upon the Emotion Thesaurus over at The Bookshelf Muse, and reading through the different lists of attitudes and emotions has given me much food for thought.  There is hope for salvaging Liandre from the wreckage of cliches and Mary Sue-ness. 😀

With that, the stats for Thursday:

  • General Brainstorming, Path to the Peacock Throne: 838 words
  • Character Sketches, PPT: 925 words
  • Drabbly Scenes, PPT: 411 words
The downside?  Nothing done on the thesis, with the exception of a few hastily scrawled words before my afternoon nap.  Meh, not something to be proud of, but I suppose ‘tomorrow is always another day.’  I am therefore banning all creative pursuits for Friday, at least until I get some academic stuff done.  It’s all about incentives, right?

I have been reading Catherynne Valente’s The Orphan’s Tales, and it’s so phenomenal that I wasn’t able to put it down.  I finally finished it this evening, and I am just blown away.

Similar to the One Thousand and One Nights, The Orphan’s Tales is organized as a tale-within-a-tale, centering on a young prince who finds a young girl living in the palace gardens.  She has been cast out because her eyes are completed rimmed in black, and many assume that she is demon-born.  She tells him, however, that the marks on her eyes are really tales that have been magically tattooed onto her skin, and once she reads them all, they will vanish.  He begs to hear the tales that she has been able to read, and the book begins.

These are gorgeous, lavish fairy tales, twisted and funny and rather macabre, all at once.  The girl tells stories of evil sorcerers, centaur-emperors, stars who wish to live as mortals, and all sorts of bizarre monsters.  The amount of detail, and all of the descriptions, are just delicious.  For example,

The crown seemed to sing and whisper and wheedle from its height, slung onto a branch of a tree at the far end of the field.  It shone, and sparkled, and sighed that it wished only to rest on my head.  I liked it, too; it smelled only of itself, and that was good enough to me. (214)

And,

The dawn had begun to dress herself in blue and gold, adorning her hair with red jewels.  She stretched out her hands to the two children, now almost asleep in the window of the tower.  The girl cradled the boy in her lap, her hands stroking his hair, as she spoke the last words of her tale. A wind stirred in the Garden, and a whirl of white blossoms leapt into the air, wept along in the cool currents and eddies.  Wild birds pinwheeled above their heads, singing with such passion they nearly died of the song. (225)

I stand in awe of Valente’s wonderful story-telling, and I am really excited, because she’s written quite a few books, including the 2nd of The Orphan’s Tales books, In the Cities of Coin and SpiceThe Girl who Circumnavigated Fairyland in a Ship of her Own Making also looks really entertaining.

In other reading news, I went a little crazy with interlibrary loan at the local library, and now have another 4 books sitting on the shelf, including an old Christopher Pike paperback (because I need to intersperse some trashy stuff in-between all this highbrow lit I’ve been gorging myself on) and the first book in Tamora Pierce’s Lioness Quartet series, which is the Holy Grail of YA-fantasy-with-kickass-female-protagonist.I don’t know when I am going to find the time to read all of these, but when I do, it is going to be very exciting.

Tales from the Archive: “The Scepter and the Sword”

Title: “The Scepter and the Sword”

Rating: T

Word Count: ~3100

Background notes: I wrote “Scepter and the Sword” for a class assignment my senior year of high school.  We were asked to write a myth based on Joseph Campbell’s monomyth, which he discusses in his book, The Hero with a Thousand Faces. In addition to the story, I wrote a poetic introduction as a sort of added bonus. This was the result, and six years later, I’m still pretty proud of it.

-poetic introduction-

Behemoth
Beast of ambiguity
Monster of negativity
who attempted to destroy
my soul
Chipped away
again and again
at my resolve, my strength, my dreams
Leeched off of my fears and anxieties
Turned me inside out,
Threw me to the vultures —
a ravaged corpse.

But a spark of resilient fire remained
a smoldering ember, struggling to resist
Broke through the lies,
awakening the Seraph within me
As a phoenix rises
from the ashes

Seraph strives to reclaim her throne from the usurper
gathers her will within herself
searching for a means to defeat the creature
Thunder booms, lightening crackles
as the Seraph regains her strength
She calls upon winds and rains,
galaxies and supernovas
to renew her strength
refresh her memories of her goals and dreams
Brandishing her blazing scepter of stars,
she ruthlessly attacks the behemoth
Strikes him once, twice,
again and again
to dispel the monster demon
from her realm
annihilate him so he may
never return
Passionately, she strikes home
vanquishing her foe with a reborn strength

Triumphantly,
the Seraph stands at once in her ultimate glory
stars of crystal ice adorn her midnight tresses
Bathed in a soft violet light, emanating from within
she clothes herself with the robes of her scattered dreams and wishes,
Repairs them with love and tender care.
She restores her realm and resumes her throne
with the knowledge that she will never again flounder in turbulent waters
With her hand raised high to the heavens
She invokes the name of her Creator
So that all will know that she finally is
ME

-the myth-


The smell of death hung in the air, suffocating and oppressive. Another volley was launched into the stone parapets; with its strong impact, the floors shook violently, threatening cracks forming in the walls and ceilings of the once-regal chambers. The siege had already lasted for two months, much longer than anyone anticipated. The rebel forces, once believed to be nothing more than a band of miscreants, were displaying a finesse and strength that hinted that there might be more than met the eye to the enemy. Some evil had lent its dark energy to the rebels, power too strong for the Seraph’s people to contain. Mother of the Realm, the All-Seeing Eye, High Sorceress, the Seraph – by all these names her people called her. The ruler of the Crystal Realm, she had continued the reign of peace that had existed since the days of the First Seraph, the beloved of the god Eilon, her ascendant and ancestor, over a thousand years before. With her illness, one that began with the Realm’s invasion and worsened with the subsequent death of her husband, her consort and regent, it was clear that all would be lost to the invaders. She lay on the cushioned divan, her long, lean frame frail and weak from the power she had expended trying in vain to rid her land of the encroaching enemy. In her final hours, she had sent all but her only daughter away that she might impart the last of her wisdom, memories, and love to her sole heir.

“Vanora.” Her mother’s voice, weak but still commanding, called her away from the window and back to her side. “How goes the battle?”

Vanora turned towards her mother, her heart wrenching with sorrow as she took in the Seraph’s haggard, emaciated appearance. Her dark skin was stretched across her face, thin as parchment, streaked with paper-thin lines of worry and sorrow, covered with dust and tears. Once the most beautiful of the Realm, it was painful to see her beloved mother reduced to such a state. “Not well,” the girl replied grimly. “The rebels continue to advance with their weaponry.”

“Remain with me, Vanora. We haven’t much time,” she said, urgency in her voice. She gazed up into her daughter’s deep violet eyes, the mark of the Seraph, and gave a gentle smile. “My daughter… I have protected you for as long as I can. One day soon, you will be grown. You will have to find your own way.”

The day that her mother spoke of seemed far, far in the future. “I’ve not yet lived my thirteenth winter, Mother,” the girl protested.

“So tall, so strong, so beautiful,” the Seraph continued as though she had not heard her daughter’s protestations. “You are but a child now, but one day you will reach womanhood. Then, it will be for you to avenge the death of those who loved you.”

The true meaning of her mother’s words slowly sunk in. “Mother, please,” Vanora cried out, tears streaming down her face. “Where will I go? How will I live without you to guide me?”

“Travel to the North, into the mountains of Chardaell; Everett of Verseillon is a fair man and will shelter you.” It seemed as though each word and each breath took another ounce of her strength and energy; regardless, she continued on. “Vanek will accompany you, to serve as guide and sage, and I give you Shadowstar, the sacred sword bequeathed to the first Seraph by the gods, to protect you from harm.” At her words, a brightly burning sword appeared at Vanora’s side. “Do not weep,” she said, managing a smile as she brushed the tears from her daughter’s cheek. “I will see you again, my daughter, on the day when the dead are raised to life and the gods walk among us once more. Remember – my spirit will always be with you.” With those words, the old queen released her final breath, shuddered, and fell back, her face peaceful as if bathed in an eternal rest.

Angry tears rolled down Vanora’s face as she shook with the grief of one who has lost her entire world – first her father, a fortnight before, and now her mother. How would she survive? Her sorrow and agony was interrupted by another volley launched at the faltering battlements.

“Princess,” Vanek appeared at her side suddenly and silently, the cowl of his cloak pulled over his head. An eminent scholar, sorcerer, and warrior, he was like an older brother to Vanora. He had been found by the Seraph when he was no more than a tiny scrap of a child, the victim of a tragic fire that killed his entire family and left him maimed, with only one hand to call his own. In the years that passed, he became renowned as a fearsome fighter, as deadly with his one hand and hooked, wickedly curved claw; despite his youth, he possessed wisdom beyond his years, allowing him to study the sacred books with the Wise Men of the Cove, men of magic and books far surpassing him by scores of years. He was like a son to the Seraph and her husband, and somewhere within, Vanora knew that his grief must have been as strong as her own.

“We must flee at once – the enemy will break through the fortification before the rising of the moon, and then all will be lost.” His voice echoed through the stone chamber, but Vanora, caught deep in the net of mourning, paid him no heed. She continued to kneel by her mother’s side, anguished sobs racking her slight frame. “Do you understand?” he demanded, pulling her up from the floor and thrusting the sword into her hands. “Escape into the wilderness is the only way your parents’ deaths will be avenged!” As if to underscore his words, an explosion ripped through the castle, filling the chamber with smoke and dust, and plunging Vanora’s world into the darkness.

“My Lady? My Lady?” Vanora woke with a start to the insistent tugging of Madeleine, her maid. The young girl averted her eyes as soon as she was met with Vanora’s violet gaze, one of such unique intensity that it unnerved her. “My Lady, the Earl of Trellham has bid me to remind you that you were to ride together.”

“We were not to ride until after luncheon,” Vanora said in confusion, rising to rest against the large, overstuffed pillows on the heavily cushioned bed.

“‘Tis nearly two hours after luncheon,” Madeleine informed her meekly, gesturing out the large window where the sun hung high in the sky. “His Majesty gave word that you were not to be disturbed till this late hour; he knows your sleep has been troubled of late.”

Vanora’s face clouded at the mention of her nightmares. “It’s a wonder that the entire Court doesn’t know!” she snapped peevishly. “Tell Trellham I’ll be down momentarily.”

With the room emptied, Vanora sagged against the pillows and covered her eyes with one hand. Dreams of her mother’s death and her exile from the Crystal Realm – a full ten years before – had been assaulting her like never before.

A native of the Summer Country, the southern tip of the continent where the Crystal Realm was located, Vanora bore the almond-shaped, slanted eyes; bronzed skin; long black hair; and gently rounded body that were typical of Southlanders, but a world apart from the blond, freckled, fair-skinned complexion of the Northern realms. Rather than feel isolated from her different appearance, she reveled in them and used them to her advantage. The beloved “Exotic Blossom” of Verseillon’s court, she enjoyed the attention and affection of the young gentlemen who visited Court; her lively, amiable disposition endeared her to the young women. It was a peaceful, blissful existence, free of the pain that had tormented her long after her exile. She was happy, she told herself firmly in attempt to quell the voices that had been nagging at her over the past weeks. She enjoyed her life, and had no wish for it to change in any way. Unbidden, an image of her mother’s face rose before her, silent, benevolent, radiant with love and trust. Shaking her head to clear her mind of the vision, she rolled out of bed, nibbled at the breakfast Madeleine had left for her, and dressed herself in her riding habit. She was on her way to the stables when she was stopped.

“Going riding, are you, my Lady?” The voice, emanating from the shadows, startled Vanora; she relaxed when a tall, cloaked figure with a long serpent draped over one shoulder emerged, a mocking smile on his face as he looked down on her. It was Vanek, the scholar and sorcerer who had borne her from the Realm to safety. He had been a pillar of strength and wisdom in her life, the provider of guidance and direction. Though hardly more than eight-and-twenty, he cut an imposing figure, frightening many of the Court’s youth from his corridors with the power that emanated from his mere presence. For ten years, he had been instructing her in the old ways, the magic and power that were her birthright. With her focus diverted by matters of the heart, however, the two had grown increasingly distant.

“Vanek, you almost scared the life out of me!” she exclaimed. “What are you doing hiding in the dark?”

“Another meeting with the foppish Earl of Trellham?” he asked, ignoring her question. “You shouldn’t lead him on, Vanora; it’s not fair to toy with his emotions.”

She bristled at his words. “He’s not foppish and I happen to like him better than the others,” she shot back, knowing quite well that she sounded like a young girl rather than a woman of two-and-twenty.

“And what is it about your young beloved that endears him so to you?”

“He plays the lute rather well,” she said in an off-hand fashion. “Now, if I may take my leave, my ‘young beloved’ and I are to go riding – ”

“Vanora, wait,” he said, placing a hand on her shoulder. “I worry for you. It’s been weeks since you’ve come for your lessons – ”

“I’ve been busy,” she faltered.

“And the King tells me you’ve been sleeping ill of late. Something about dreams…?” He trailed off and glanced at her expectantly.

“They’re nothing,” she dismissed.

“They’re disturbing you,” he countered. Stubbornly, she glanced down, refusing to answer or to meet his gaze. Undaunted, he continued. “Thoughts of your task are arising,” he stated calmly, noting the shock on her face. “You are restless, disturbed. To the rest of the world, you bask in the attention of your admirers; within, you are searching and eager to wander. You want more than they have to offer.” He leaned closer towards her. “Take up the task, Vanora. Avenge your parents.”

“The task is not mine,” she said brusquely, breaking away from him. “I am no warrior.”

“It is your destiny to wield the Scepter and the Sword,” he continued implacably. “I have trained you to the best of my ability; you have long been ready.” Sensing her hesitation, he added, “You are the Seraph, the rightful ruler; you must take up the crown in your mother’s stead.”

“That right was taken from me ten years ago,” she snapped, undisguised bitterness in her voice. Before he could continue, a young man came hurrying down the corridor.

“Vanora, where have you been? I’ve searched the entire castle for you!”

She faced the Earl, a forced smile on her face. At the moment, he was the last person she wanted to see. “I’m sorry, my Lord. I was… detained.” She curtsied to Vanek. “If I may take my leave…?” He assented with a nod of his head, and the two swept from the corridor together, laughing and chatting amiably as they left. With a tired sigh, Vanek returned to his studies.

The day’s ride was uninteresting and uneventful, save for the Earl’s insipid, banal recitation of his mediocre poetry. Vanora retired to her chambers discontented, the feeling of emptiness growing within her as she thought back to her conversation with Vanek. She had treated her mentor poorly, disregarding his advice and counsel as she grew in what she had thought was wisdom, but now recognized to be the folly of womanhood. If she could only find the answer…

Suddenly, an idea occurred to her. Quickly, she pulled back the paneling of one wall to reveal a secret hiding place. Pulling a long, skinny wooden box from the hollow place, she sat back on the floor and stared at it in silent contemplation. With a deep breath, she opened the dusty cover, revealing her most prized possession within: Shadowstar, her mother’s final gift. With slight trepidation, she took the sword in one hand; it responded immediately to her touch, flaring to life with a fiery brilliance that made her shield her eyes for a moment. She shut the box’s lid resolutely, the answer firmly planted in her mind. She knew what she must do.

Vanora and Vanek left the castle under the cover of night. She had left a note for the king, her protector, making reference to her quest and asking him not to worry or distress for her safety. The two traveled for a month through wind and rain, sleet and snow, emerging finally in the Summer Country, the realm that had been Vanora’s birthplace. But the realm, it soon became clear, had been sorely changed. No longer the prosperous, peaceful country of her youth, it had been transformed into a barren wasteland of sadness and evil. It was with a heavy heart that the Princess and her Mentor rode forth, witnessing the harsh toil of the starving, ragged people in the fallow fields, cruel taskmasters prodding and beating them to continue on their fruitless paths.
“We have to stop this,” she murmured to Vanek, her face bleak as she cast her gaze upon the scene. “Someone has to restore this land.”

“I have no doubts that you will,” he told his protégé, a note of pride in his voice. He had waited and hoped for the day that this would pass; he was confident in her abilities, her courage, and her strength.

The two made their way to the castle that had once been the Seat of the Seraph and Vanora’s home. Now the home to the Dragon King, the usurper who fashioned himself the ruler of the land, it blended well with the harsh, desolate landscape. Surprisingly, they were admitted without trouble or question into the throne room.

It took all of Vanora’s willpower not to scream in anger at the scene around her. Swathed in darkness, stinking of evil, it was the nest of the foul creatures that had taken over the land. Despite this, the two approached the throne calmly and assuredly. A dark figure with a forbidding iron mask sat upon the throne, fingers glittering with large diamonds and stones. He sat up in interest as the two made their way towards him.

“Bow down and prostrate yourselves, strangers!” the herald at the foot of the throne commanded imperiously. “You stand before the dread king, the Dragon Lord of the land!”
“We bow to no one,” she returned in a loud voice. Her refusal silenced the entire room. “I am the Seraph, the true ruler of this realm; I have returned to take back my rightful throne from the scum – ” She broke off to spit on the ground in contempt ” – who stole it ten winters ago.”

The robed, masked figure on the throne laughed scornfully, a sound that echoed throughout the stone walls of the room. “What can a man and a girl do to me? If you are who you claim to be, not even your mother, the Seraph,” he said in disdain, “could stop me. There is no hope for you.”

Vanora lifted her chin resolutely and pulled her sword from its sheath. As she held it in the air, it blazed as if in defiance of the Dragon King. “I do not intend to fail,” she told him tenaciously. “I will avenge her death.”

“You should provide pleasant sport,” the Dragon King laughed again as he rose from the throne and took a heavily spiked mace from one of the servants. Before she had a chance to collect her thoughts, he came at her with the full force of his weapon, slamming and beating at her in an attempt to find her weak point. Vanek had been taken by the guards; he would be unable to help her now. Deep within her heart, she despaired. Although she had been an apt pupil and had bested most of the men at Court in riding, archery, fencing, and magic, she seemed to be no match for the Dragon King.

With every step, every blow to her magical shield and defenses, she felt her resolve crumbling. Her power was draining from her, leaving her weak and light-headed; she understood suddenly how her mother’s final moments must have felt.

Her mother…

Suddenly, she felt a soft breeze caress her cheek, and heard her mother’s voice in her mind: “Remember – my spirit will always be with you.” As if her mother had lent her strength to her daughter, Vanora attacked with renewed vigor, her sword burning brighter than ever as she dodged her enemies’ blows until she found his weak point. As she drove her point home, the earth shuddered and heaved, and the Dragon King exploded from within. Stunned by the force of the blast, Vanora’s sight dimmed, and she collapsed to the ground.

The sun shone brightly in the Summer Country for the first time in ten years on the day of Vanora, the Seraph of the Crystal Realm, assumed the throne for the first time. Rulers from the neighboring lands had come to witness the momentous event, for it marked the beginning of a return to peace and prosperity. With the thrust of her sword, Vanora had vanquished the agent of the Darkness, and sent his minions into the wastelands of the East where they came from. Through undertaking her quest and responding to the call of her task and destiny, she uncovered her true identity, the self she had run from for so long. With this reconciliation of psyche and consciousness, she was poised to lead her people into the future, wielding the tools that were her heritage: the Scepter and the Sword.

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