Lena Corazon

Flights of Fancy

Tag: Warm Fuzzies Blogfest

Fiction Fridays: Tapping Into Writerly Extrasensory Perception

Today marks the final day of the Warm Fuzzies blogfest. I’m not quite sure where the last four weeks went, but here we are, over halfway through with November, hurtling our way to the winter holidays.

Our prompt for the week is a bit of a timely one, given that I am easing my way out of a rough writing patch and trying to regain momentum with NaNoWriMo:

This week, post what makes writing worth it for you and most importantly, post one of your Warm Fuzzy moments. It can be a scene from a WIP, short story, poem, anything that strikes your fancy. Visit one another’s posts and enjoy the writing you find there.

Writing involves blood and sweat and tears (the blood is hopefully metaphorical, unless we are discussing paper cuts). It can be stressful, frightening, disheartening. Sometimes I can end my writing time feeling down-in-the-dumps pathetic, like I’m the worst writer to walk the face of the planet, and how in the world am I ever going to turn this piece of tripe into something that people want to read, let alone pay for?

Sometimes, it helps for me to think of writing as a sort of treasure hunt, or some vast archaeological dig. I like to imagine myself the intrepid adventurer on a quest, armed with a map and some tools, along with a folder holding the bits of research and scraps of paper and a clue or two.

Image: taoty / FreeDigitalPhotos.net

No matter how detailed my preparation for the excursion, however, I never fail to wander into unmarked territory. It’s in those unmarked spaces that I find the most unexpected gems, the most valuable pieces of treasure. It’s in those off-the-beaten-path spots where I suddenly find the capacity to listen.

Sometimes the things I hear resonate with the guideposts on my map; sometimes they take me into brand new territory. No matter what, this is where the magic happens.  Characters suddenly reveal a handful of new secrets. Mundane settings become more vibrant. Flat, uninteresting plots gain complexity, along with a few twists and turns. Ideas are infused with life, with passion and vibrancy and wants and needs,

This is why I write, aside from the fact that there are characters chirping in my ear, demanding that their stories be told. I write because I can’t get enough of this strange extrasensory perception, this third eye that allows me to see and to hear things that don’t exist. I write because I have the faith that my hard work will be rewarded with those wonderful, incandescent moments of joy, when a scene that’s been hazy and vague suddenly crystallizes in my mind.

Given the furious pace of NaNoWriMo, it’s been difficult to tap into my writerly ESP, to take the time to sit down and just listen to what my characters want and need. It’s one of the things that I’m hoping to do this weekend, because I know the story needs an injection of vitality, a little (or maybe a lot) extra oomph.

All of this is a roundabout way to preface my excerpt, which is not taken from my NaNo novel (sorry, guys, it just doesn’t have that “zing” right now). Instead, I’m posting a flash fiction piece that I wrote for a Halloween-themed challenge last month. You can find the original post here. I love this piece because it’s a little creepy, moody, and dark, which is out-of-the-ordinary for me.

Enjoy, and be sure to swing by and visit the other bloggers taking part in the Warm Fuzzies blogfest!

-oOo-

“Midnight Walker”

It was a small thing, really: a single globule of blood, no larger than a dewdrop and just as delicate.  If Alaric hadn’t been starving, his veins parched and dry, it would’ve been easy enough to ignore.  Restraint and willpower had always been his strengths, even before he was reborn.  But then again, he had never been deprived of sustenance for so long. There was no way he could withstand such temptation.

That drop of blood was a siren’s song of lust and desire, flooding his mouth with saliva, sharpening his gleaming fangs.  It gleamed in the flickering glow of the streetlamp, adorning the whore’s neck like the most precious ruby.

She’d been bitten already — a sloppy kiss from a drunkard, for her intoxicating bouquet was tainted by the acrid, burnt smell of whiskey. With his preternatural senses, he could hear the beating of her heart, the borborygmic trembling of her stomach; she was hungry as well, her face pinched and pale beneath a heavy coating of rouge.  It mattered little. By the time Alaric was through, food — or lack thereof — would be the least of her worries.

The whore turned limpid eyes upon him, lips parted in a drawl of invitation, and Alaric’s hands shook as his slid the coin into her hand.  A thrill of delight coursed down his spine as he followed her into the dank alley nearby, even as his conscience uttered one final whimper of protest.

He would hate himself come morning, when the alleys would be strewn with evidence of his excesses, but the salt-sweet elixir on his tongue drove away all regret.

 

Fiction Fridays: Writing Soundtracks, the NaNoWriMo Edition

For today’s first edition of Fiction Fridays, I planned to write a bit about the music that is the inspiration for my NaNoWriMo novel. Coincidentally, the theme for Week 2 of the Warm Fuzzies blogfest is to share something that inspires our current WIPs, so I can kill two birds with one stone.

Having a soundtrack tailored to each WIP is incredibly important to me. Music fuels my mood as a writer, and it also helps me tap into the emotional tone that I want to evoke in my work. I spend far too much time pulling my playlists together — and yes, that is multiple playlists. I usually have a list for the WIP as a whole, plus songs tailored for individual characters, songs that reflect friendships and romances, and songs that inspire specific plot points and scenes (you know, battle scenes, sad moments, sappy moments).

Utilizing a musical soundtrack is also incredibly helpful when it comes to transitioning between projects. TELL ME NO LIES, the novel I most recently worked on (a steampunk murder mystery/romance), has a very distinctive vibe, with lots of folk and country music that remind me of 19th century San Francisco. Disentangling myself from that world and the incredibly vocal characters that inhabit it is a difficult process, but using music to ease that shift makes things a bit easier.

I’ve culled through the current playlist to find the three songs that I think are the most representative of the mood and tone of this novel. As per the rules for this week’s Warm Fuzzies challenge, I’m not going to tell you what the novel is about. Based on the songs I post, you get to guess exactly what this tale might be about. And I see you there, about to peek at my works in-progress page (I’m shaking a finger in admonition, I hope you know). We’re going for honest guesses, folks, so no cheating. 😀

Cara Dillon, “Black is the Colour” (Lyrics)

Cara Dillon is a contemporary Irish folk singer, and her ethereal voice always sends shivers down my spine. She released four studio albums between 2001 and 2009, all of which include a blend of traditional Irish ballads and original music. “Black is the Colour” comes from Cara Dillon, her first album.

Lisa Gerrard, “Sanvean”

Lisa Gerrard is an Australian singer, and former member of the band Dead Can Dance. If her voice sounds familiar, it may be because you recognize it from the Gladiator soundtrack, which she co-composed with Hans Zimmer (“Now We Are Free” is one of her most popular tracks from that album). If you’re wondering exactly what language she’s speaking in “Sanvean,” it turns out that she’s using an invented tongue, one that she created as a child to “talk to God.” She has employed it in a number of her songs over the years.

Loreena McKennitt, “The Old Ways” (Lyrics)

Loreena McKennitt is one of my all-time favorite singers. Her music is lush, evocative, and intricate, and always feels somewhat magical to me. She draws from a wide range of inspiration, from European literature (including Tennyson’s “The Lady of Shalott” and Noyes’ “The Highwayman“) and traditional Celtic music, to broader Arabic and Mediterranean influences. McKennitt is an accomplished singer, songwriter, and musician. “The Old Ways” comes from her fourth album, The Visit.

And there we have it! Any inspired guesses about what my current WIP might be about?

As a sort of “preview of coming attractions,” I’ll be sharing more about the details of my project in my Sunday check-in for the A Round of Words in 80 Days writing challenge. Also, I’m cohosting a discussion about NaNoWriMo progress in today’s post over at Fun Not Fear! All WriMos are invited to pop over and chat about how the first few days of NaNo has gone; for those of you who aren’t participating, we can always use cheerleaders, so please feel free to stop by and say hello.

Warm Fuzzies, Everyone Needs ‘Em!

I’m delighted to be taking part in the Warm Fuzzies blogfest, the brainchild of Juliana Brandt.   For the next four weeks, we’ll be blog-hopping like mad, making new friends and engaging in one of my favorite activities, community-building.

For this first post, Juliana’s asked us to consider one of the stickier questions that a writer faces: How do you broach the subject of being a writer to those who aren’t authors?

It’s strange, thinking back on my trajectory towards writer-dom.  I’ve been scribbling stories for as long as I can remember, and when I was young, everyone knew that I was going to have a novel out one day.  In junior high, my tome of fan fiction was circulated around the classroom each morning so everyone could read the latest chapter.  Back then, the only question I received was, “So can I be in the story?  Will you stick me in as a cameo somewhere?” As a result, my crazy, ridiculous, sprawling 350 page boy band fan fiction features bit walk-ons from roughly half the 8th grade class. 😛

Things shifted once I hit college, though, and I became focused on a career outside of writing, ‘cause everyone’s gotta have a day job, right?  I discovered social justice and community organizing, the wonders of sociological theory, and the delights of research, and threw myself wholeheartedly into the fray. Oh, I still wrote — quite a bit, in fact — but it receded into the background, became the hobby I indulged in whenever I was struck by the muse, rather than one of my most defining attributes.

And then… graduate school happened.  I found myself in a sociology PhD program at the ripe old age of 21, swamped and overwhelmed by the demands of coursework, my teaching assistantship, and my own ambitions for my research.  I stopped writing.  I stopped reading novels, swept up in this strange, bizarre, soul-deadening belief that all of my time should be spent working on Serious Matters — and novels, unless they are being dissected and ripped apart for sociological analysis, are most certainly not Serious Matters.

In a world dominated by such charming adages as “Publish or Perish” (and we’re talking scholarly, peer-reviewed articles here), one that is characterized by constant chatter about productivity and jumping crazy, flaming hoops in the hopes of one day earning a tenure-track position at a university, it is an understatement to say that graduate students learn quickly to feel an inordinate sense of guilt at pursuing things that won’t help them (1) finish their dissertations or (2) land a good job.  Things, important things, those things that make us, y’know, human, fall by the wayside unless we’re careful.

I give you all this long, convoluted preface because I’m still on the fence about telling people that I’m working on a novel (well, 3, actually, with a novella waiting in the wings).  I know there are plenty of people who will be dismissive (again, novel-writing, like reading, isn’t Serious Matters).  And yet I do have a small group of friends who love books, and who understand the importance of having a life outside of the day-job.  They’re the ones who have been the most supportive and enthusiastic, and who remind me that I can be both scholar and writer.  They push me to keep going, and even though they think I’m slightly unhinged for deciding to juggle my MA thesis and a handful of novels, they encourage me to follow my passions.

So yay for community!  Better yet, yay for the handful of folks to understand (or appreciate, at the very least) the strange combination of insanity, stubbornness, dedication, passion, masochism, and creativity required to pen a novel.  Let the warm fuzzies begin!

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